one eavesdrops on and it is of course a good kind of eavesdropping, though one could always choose to exert effort and pretend to be discreet as if the conversation isn't something one should be privy to. Either way, the
chatter between the drums and the sax and the trumpets and the piano and the cello and all that scatting
should perk the mind up into action so that one emerges more intelligent after the whole auscultating-slash-snooping thing, or more awake, at least, because all that exchange could only be more poetry than non-poetry
and poetry more often bestirs the brain cells than not, so it is, perhaps, safe to say that aside from a confabulation among voice and/or instruments, jazz is also poetry.
Monday, October 25, 2010
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