"He said, "The word for moonlight is moonlight."
Tuesday, March 29, 2011
from the weekend couch:
Revisited
From this book:
"From five, they had become four, and they were all the living and the dead, becoming shadows..."
Sophia Coppola, 1999
Jeffrey Eugenides, 1993
Daphne as the Runaway Bride, and vice versa
After a "eureka!" moment a couple of days ago, which happened while I was watching "Runaway Bride" for the 17th time, I am finally allowing myself to verbalize the idea that I have been toying with, since:
That my obsession with the movie and the myth are intertwined, in more ways than one.
photo from this site
In the end, Maggie Carpenter finds true love, and Daphne turns into a tree, both of which could very well stand for deliverance.
And as for me, well, let's see.
from the weekend couch:
Had to have this:
after my mind got blown away to super negaland by this:
Whew. Darren Aronofsky, you are definitely something else.
(Despicable Me, 2010)
after my mind got blown away to super negaland by this:
(Requiem For a Dream, 2000)
Whew. Darren Aronofsky, you are definitely something else.
Monday, March 28, 2011
Right Here
the method to this madness the drifts the thrums pulsating the quiet in this music the solitude in this togetherness the reeling mind reeling from this tumult your childhood their childhood my childhood our childhoods one childhood locked this love of form and song and memory this love this love subterfuge and delusion the rhythms in one rhythm ecstasy in one moment misery in the next redemption in the symmetry symmetry in song the anguish of a breaking heart the broken heart conceding conceding at last clarity in this haze of smoke and melody the descant and the silence this silence tormentingly deceivingly eternal but the bliss in the music the music always the music
Saturday, March 26, 2011
Then, they brought out the numbers.
The two-day training course was going smoothly, if a bit without any major surprises and/or excitements. I had successfully psyched myself up to be in its zone (after a little while of battling with the worries and sorries that I would've been better off working on my deliverables, instead of being stuck in a training class for two whole days, burning my bum off from all that sitting and cramping up my face from all that smiling and pretending to be interested when what I really wanted was to be somewhere else) and decided to breeze through it all as best as I could.
And I was doing fine, I guess, for someone who hadn't attended a training session (as part of its audience) for quite a time. I decided that I was going to open my mind to learning, and so I earnestly listened and happily jumped into the classroom discussions, surreptitiously checking the clock on the wall, from time to time.
Until the last two hours of the class, when the trainer's voice boomed with the line, "now, we'll be doing a bit of Math."
Bummer. Major, real-time bummer.
It all just went downhill for loveless, hapless me, forced to crunch away at numerous statistical formula, sadly confronting my undeniable mortality as I worked, as slow as a tortoise, on all those text-free and extremely unromantic excel sheets.
Oh, but there were always the friendly seat mates who were understanding enough of the mathematically challenged lot of this world and who were more than willing to help.
Whew.
I therefore conclude (for the umpteenth time) that I am an English Major.
And I was doing fine, I guess, for someone who hadn't attended a training session (as part of its audience) for quite a time. I decided that I was going to open my mind to learning, and so I earnestly listened and happily jumped into the classroom discussions, surreptitiously checking the clock on the wall, from time to time.
Until the last two hours of the class, when the trainer's voice boomed with the line, "now, we'll be doing a bit of Math."
Bummer. Major, real-time bummer.
It all just went downhill for loveless, hapless me, forced to crunch away at numerous statistical formula, sadly confronting my undeniable mortality as I worked, as slow as a tortoise, on all those text-free and extremely unromantic excel sheets.
Oh, but there were always the friendly seat mates who were understanding enough of the mathematically challenged lot of this world and who were more than willing to help.
Whew.
I therefore conclude (for the umpteenth time) that I am an English Major.
Goodbye, Liz
Her unquestionable celebrity and prolific contributions to the arts; her tumultuous love affairs and the numerous men who chased her shamelessly and whom she shamelessly claimed; her efforts at humanitarianism and equality of rights; her determination to live life to its brim along with all its heartaches and turbulences; her breathtaking beauty and unabashedly violet eyes...
Elizabeth Taylor was, and will always be, a force to reckon with.
She was a Pisces.
Wednesday, March 23, 2011
Tuesday, March 22, 2011
So, this is how I am
Last night, while I was having my nails done, I felt the stirrings of an earthquake (the salon was at the third floor of the mall, so, ok, yeah, maybe it was really more than a stirring). The so-called "Super Moon" has come and gone (yes?) and I never got around to so much as a peek. And the earthquake in Japan, tsk. I've mostly kept mum about these, and more, perhaps that have gone past my nose without my knowing.
It makes me sad, when I think about it. Is it disinterest? Selfishness? In/voluntary detachment? Or is it that parallelism to my other sphere, that predisposition toward despair, that ease in falling prey to breakdowns, that faculty of feeling too much--and hurting too much--where I should flick things off and accept them as part of life and, therefore, something that I will soon get through?
Sometimes, even I am appalled by my capacity to shrug things off (the getting appalled episode happening during my more lucid moments, if I may add). The yawn, the almost-empty stare, the absent smile, the mechanical nod: these are characteristic of me, even in times of crisis, or those occasional bumpings-into with the distraught acquaintance, or the emotional peer.
(Though let me insert here that I, too, am perfectly capable of jumping up and down and shouting to the top of my lungs when I win bets (like the most recent one, on whether it was Lennon or McCartney who wrote "Eleanor Rigby"), that my eyes do sparkle and shine when I am in a conversation where books and music are fodder, and that tears stream down my cheeks when I watch movies that strike to the core of my ideals and beliefs.)
It makes me sad, when I think about it. Is it disinterest? Selfishness? In/voluntary detachment? Or is it that parallelism to my other sphere, that predisposition toward despair, that ease in falling prey to breakdowns, that faculty of feeling too much--and hurting too much--where I should flick things off and accept them as part of life and, therefore, something that I will soon get through?
All in all, it could be that search for balance, the desire for that ever so delicate sense of equilibrium that I know I have so little of; bluntly put, it could simply be that instinct for survival.
Daphne, in my time (part 1)
Loss of breath, the first sign
of the permanence
that will become the end
of this story.
of the permanence
that will become the end
of this story.
Monday, March 21, 2011
Miles Davis Quintet - It Never Entered My Mind
Miles, oh, Miles! This always brings tears to my eyes.
This
soporific tune. Forget the words if you may, the words will not forget.
Strum away the drifts that our cares may drift away.
Strum away the drifts that our cares may drift away.
Daphne and Apollo (by Ross Cohen)
I could never compete with you Lightfoot, skipping across the moss and stone. I crashed through tangled woods, Ripping roots from the earth, Snapping branches, clearing a path by force. You were a speck in my eye, Just visible behind the vines; A mirage on an empty plain. I could never see you directly, I could never sleep where you had lain. I had grown accustomed to the dip And dive of your back cutting Through the clearing where, Panting and parched, we stopped For a fatal moment. You turned. The war Between flame and stream, Between you and me, Swelled to crisis: Your skin cracks and grays Like cooling embers; the ground surrenders To toe-roots; thighs stiffen and petrify; Bark works its way up To the bole-knot in your stomach. Shoulders and arms explode Into clouds of flickering green and gold. Soft shrapnel litters the ground. Sitting beneath the sole tree In the forest’s barren place, I sift through the leaves For the memory of your face. |
Daphne (by Edna St. Vincent Millay)
Why do you follow me?
Any moment I can be
Nothing but a laurel-tree.
Any moment I can be
Nothing but a laurel-tree.
Any moment of the chase
I can leave you in my place
A pink bough for your embrace.
I can leave you in my place
A pink bough for your embrace.
Yet if over hill and hollow
Still it is your will to follow,
I am off;to heel, Apollo!
Still it is your will to follow,
I am off;to heel, Apollo!
Thoughts on listening to your little tirade on how perfect your little life is
For what life, after all, is not complicated?
What set of sensibilities is not without peculiarity, what mentality without absurdity? What environment is so ideal as to be almost what it seems to be, when the dysfunctions distributed among countless generations of lives lie within each childhood, manifesting themselves in each day-to-day?
There are as many gradations of complexity as there are shades and hues, if not more. The way I look at that piece of news on TV could be 180 degrees apart in judgement, or lack thereof, from yours. My perception of your present dilemma could be the 703rd in the 1,534 assessments diffused out there. Psychology could very well be in its incipient stage when it comes to understanding the way with which people look at, and/or experience, an emotion, an epiphany, an event, an ordeal. Instinct could just be as unpredictable as chance, if one looked closer.
So-called charmed lives could not be as charmed as they appear to be. It just isn't possible, not with how differently each mind is programmed by context and circumstance, not with the inexhaustible contingencies brought about by each ticking of the clock's hands, the clock itself a symbol of man's never-ending battle with the exactness of the space between each second, the spaces themselves containing an infinitude of aberrations.
If I hadn't been brought up the way I was, I would already have rolled my eyes at your rattle on how so-and-so should have lived her life more "morally" than how she's living it, at how so-and-so should not have done what he had done because it was just,well, "wrong". Though oftentimes I fail, I try my hardest not to pass judgement on the weakness of others, knowing fully well that I am just as human as everyone else.
As it is, I continue to listen and endure. I cross my arms over my chest and tap a finger on my elbow. My years have taught me that there are simply some things one should not waste energy on.
What set of sensibilities is not without peculiarity, what mentality without absurdity? What environment is so ideal as to be almost what it seems to be, when the dysfunctions distributed among countless generations of lives lie within each childhood, manifesting themselves in each day-to-day?
There are as many gradations of complexity as there are shades and hues, if not more. The way I look at that piece of news on TV could be 180 degrees apart in judgement, or lack thereof, from yours. My perception of your present dilemma could be the 703rd in the 1,534 assessments diffused out there. Psychology could very well be in its incipient stage when it comes to understanding the way with which people look at, and/or experience, an emotion, an epiphany, an event, an ordeal. Instinct could just be as unpredictable as chance, if one looked closer.
So-called charmed lives could not be as charmed as they appear to be. It just isn't possible, not with how differently each mind is programmed by context and circumstance, not with the inexhaustible contingencies brought about by each ticking of the clock's hands, the clock itself a symbol of man's never-ending battle with the exactness of the space between each second, the spaces themselves containing an infinitude of aberrations.
If I hadn't been brought up the way I was, I would already have rolled my eyes at your rattle on how so-and-so should have lived her life more "morally" than how she's living it, at how so-and-so should not have done what he had done because it was just,well, "wrong". Though oftentimes I fail, I try my hardest not to pass judgement on the weakness of others, knowing fully well that I am just as human as everyone else.
As it is, I continue to listen and endure. I cross my arms over my chest and tap a finger on my elbow. My years have taught me that there are simply some things one should not waste energy on.
Monday, March 14, 2011
Some things never change.
It was how it was with "Snow White", "Cinderella", "Sleeping Beauty", "The Little Mermaid", "Beauty and the Beast", and "The Princess and The Frog".
Now, after watching "Tangled", I realize that it definitely is still how it is:
I still love fairy tales.
And, yes, I am 31 years old.
I have a feeling I will love them until I am 70.
Or forever.
Whichever comes later.
Now, after watching "Tangled", I realize that it definitely is still how it is:
I still love fairy tales.
And, yes, I am 31 years old.
I have a feeling I will love them until I am 70.
Or forever.
Whichever comes later.
Dixie Chicks - Landslide (live)
Took my love and I took it down
Climbed a mountain and I turned around
And I saw my reflection in the snow covered hills
Well, the landslide brought me down
Oh, mirror in the sky, what is love?
Can the child within my heart rise above?
Can I sail through the changing ocean tides?
Can I handle the seasons of my life?
Well, I've been afraid of changin'
'Cause I've built my life around you
But time makes bolder, children get older
I'm getting older too, well
Climbed a mountain and I turned around
And I saw my reflection in the snow covered hills
Well, the landslide brought me down
Oh, mirror in the sky, what is love?
Can the child within my heart rise above?
Can I sail through the changing ocean tides?
Can I handle the seasons of my life?
Well, I've been afraid of changin'
'Cause I've built my life around you
But time makes bolder, children get older
I'm getting older too, well
So take this love and take it down
Yeah, and if you climb a mountain and you turn around
And if you see my reflection in the snow covered hills
Well, the landslide brought down
And if you see my reflection in the snow covered hills
Well maybe, well maybe, well maybe
The landslide will bring you down
Smashing Pumpkins version
Glee version
Yeah, and if you climb a mountain and you turn around
And if you see my reflection in the snow covered hills
Well, the landslide brought down
And if you see my reflection in the snow covered hills
Well maybe, well maybe, well maybe
The landslide will bring you down
Smashing Pumpkins version
Glee version
The clouds and suns of my childhood are coming and I can't can't can't wait!!!
I have read the novel a thousand times and now, this movie.
The anticipation is sending shivers up and down my spine. No kidding.
The anticipation is sending shivers up and down my spine. No kidding.
Sunday, March 13, 2011
The rustle of skirts on a balmy afternoon
reminds her of Franciscan sisters clad in gray habits and blue veils; of her fourteen-year-old self, falling in love with those nuns, wanting to be one of those nuns, reading St. Therese of Lisieux' Story of a Soul and spending sleepless nights repeating the lines in the book that had caught fancy; of singing in a choir and feeling the peace that only youth and hymns of praise could give; of a four-page essay she had written for a Creative Writing class, on the first page of which her professor had scribbled the lines, "Bravo! I could have sworn you were a nun in your past life!"
And then, the humdrum drone of passing cars brings her back to the present, where her last memory of prayer is that of trying to remember when it was she had last prayed.
Wednesday, March 9, 2011
India Arie - Beautiful Flower
This is a song for every girl who's
Ever been through something she thought she couldn't make it through
I sing these words because
I was that girl too
Wanting something better than this
But who do I turn to
I sing these words because
I was that girl too
Wanting something better than this
But who do I turn to
Now we're moving from the darkness into the light
This is the defining moment of our lives
This is the defining moment of our lives
'Cause you're beautiful like a flower
More valuable than a diamond
You are powerful like a fire
You can heal the world with your mind
More valuable than a diamond
You are powerful like a fire
You can heal the world with your mind
There is nothing in the world that you cannot do
When you believe in you, who are beautiful
Yeah, you, who are brilliant
Yeah, you, who are powerful
Yeah, you, who are resilient
When you believe in you, who are beautiful
Yeah, you, who are brilliant
Yeah, you, who are powerful
Yeah, you, who are resilient
This is a song for every girl who
Feels like she is not special
'Cause she don't look like a supermodel Coke bottle
The next time the radio tells you to shake your moneymaker
Shake your head and tell them, tell them you're a leader
Feels like she is not special
'Cause she don't look like a supermodel Coke bottle
The next time the radio tells you to shake your moneymaker
Shake your head and tell them, tell them you're a leader
Now we're moving from the darkness into the light
This is the defining moment of our lives
This is the defining moment of our lives
Tuesday, March 8, 2011
Keeping Things Whole
(Mark Strand)
In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.
When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body's been.
We all have reasons
for moving.
I move
to keep things whole.
In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.
When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body's been.
We all have reasons
for moving.
I move
to keep things whole.
This morning
"It was that kind of a crazy afternoon, terrifically cold, and no sun out or anything, and you felt like you were disappearing every time you crossed a road." -Holden Caulfield in Chapter 1, J.D. Salinger, The Catcher in the Rye
It's Women's Month, once more
So let me share with you a list of the women I stalk online, just because they remind me that a woman with a mind of her own is a wonderful woman to be:
Daphne Osena-Paez
Katrina Stuart Santiago
Jessica Zafra
Conchitina Cruz
Anne Boyer
Mary Anne Moll
The Cat with the Fiddle
Lea Salonga
Chella Courington
Go and get yourself a haircut, a hot-oil treatment, a pedicure, a Starbucks, a new pair of shoes, a hug from your kids, a look of tenderness from your man, a high-five from your boss, smiles from your fans, er, friends! You deserve to be adored!
=)
As always, my dears, let's all fly high, for we are women!
Daphne Osena-Paez
Katrina Stuart Santiago
Jessica Zafra
Conchitina Cruz
Anne Boyer
Mary Anne Moll
The Cat with the Fiddle
Lea Salonga
Chella Courington
Go and get yourself a haircut, a hot-oil treatment, a pedicure, a Starbucks, a new pair of shoes, a hug from your kids, a look of tenderness from your man, a high-five from your boss, smiles from your fans, er, friends! You deserve to be adored!
=)
As always, my dears, let's all fly high, for we are women!
"I come here and imagine that this is the spot where everything I've lost since my childhood is washed out. I tell myself, if that were true, and I waited long enough then a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy. He'd wave. And maybe call. I don't know if the fantasy go beyond that, I can't let it. I remind myself I was lucky to have had any time with him at all. What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time."
-Kathy H., "Never Let Me Go"
-Kathy H., "Never Let Me Go"
from the weekend couch:
Mark Romanek, 2010
The artist's mind is a terrible, beautiful thing. This line germinated and went floating in my thoughts for approximately an hour and a half after watching this film, and only sleep made it go away.
I'd been waiting to watch the film after reading the book three and a half years ago, can still remember that it was twilight when I finished it and that the twilight I finished it in was an orange one and that I was sitting outside, hunched on a chair and fighting back tears. It's funny how certain memories stay with us with such vividness. And this film, like the book, will certainly stay with me: its images, snippets of its lines, Carey Mulligan's brilliant acting, how everything is so understated and quiet and yet so heartbreaking and conveys so much despair. I'd say that Mark Romanek's direction and Alex Garland's screenplay did complete justice to Ishiguro's dystopia.
So depressing and yet so beautiful! Makes me want to finish my half-read A Pale View of Hills.
Monday, March 7, 2011
Sunday, March 6, 2011
remember remembering writing
about the girl
who prayed
to St. Jude
the sad clump
of candles
drooping
beneath the weight
of flame
and supplication
who prayed
to St. Jude
the sad clump
of candles
drooping
beneath the weight
of flame
and supplication
Wednesday, March 2, 2011
that unlocking of so many doors, and yet, everywhere else, the knowledge that there were so many other doors that remained locked, and will stay locked just because there are more reasons for them to stay that way, no keys to open them with, no keys,
no keys--
because there is infinitely better, more beautiful, than nowhere. Because you are there, and not
nowhere
Tuesday, March 1, 2011
Your
cryptic thoughts. Your evasive mind. Your vacillations, five in a minute. Your irresoluteness, even in things that don't matter. Your unfathomable brain (where does it lead?). Your smile, the secrets that tug on it. Your lack of circumspect, even in things that matter.Your taciturn nature. Your listlessness, neurotic. Your capacity to turn your back, even on things that matter.
*art, Salvador Dali, Landscape with Butterflies (Paysage aux Paipllons), 1956
*art, Salvador Dali, Landscape with Butterflies (Paysage aux Paipllons), 1956