And you are everywhere
even as you are nowhere
in touch, for here is the place
things cherished are laid bare in--
the edge of body's knowing,
the edge of the world.
And I know my task
for the day
is no different from the tide's:
to take in and let go,
to push against land and
pull away, to love you without claims.
For nothing given
is ever owned, and ghosts
we already are
of fickle matter's imaginings.

- J. Neil C. Garcia, "Gift"
from The Sorrows of Water

Myth of the moment (for a month now):

"Apollo and Daphne" oil on canvas, John William Waterhouse, 1908

Daphne and Apollo

At the end of the pursuit
is a reversal:
set down
upon the earth at last,
she takes root,
splinters
into branch and leaf,
her shape turning lush,
verdant and immortal.
Abandoned
to the windy fill
of his arms,
he clutches at damp sod,
breathes in such loss,
and snaps off
bright sprigs of her hair
to weave them
into his own.
In the heart
of the wood,
a god learns too late:
love transforms
never quite in one way.
The one who loves
survives, remembers
in his solitude
his body's dark
sorrow.
The one loved,
slight and always fleeing,
lets fly a light-borne wish
to the air,
and painlessly escapes
into another beauty:
a new lover
or a tree.

-J. Neil C. Garcia,
from The Sorrows of Water

Walang Magawa...

From "Gift" by J. Neil Garcia

And you are everywhere
even as you are nowhere
in touch, for here is the place
things cherished are laid bare in--
the edge of body's knowing,
the edge of the world.
And I know my task
for the day
is no different from the tide's:
to take in and let go,
to push against land and
pull away, to love you without claims.
For nothing given
is ever owned, and ghosts
we already are
of fickle matter's imaginings.

PSYCHE

by J. Neil Carmelo Garcia, from The Sorrows of Water

Her error is believing she can only love him with the soul. For her sake he has been real enough-- shadow-clad and without a body, the way she accepts everything must be in the naked beginning. His voice, to her, is water: when he speaks she feels she hears his true self purling out of rocks in a blurred, dreamy forest-- a thought which makes her shimmer, unrecognizable, to herself. His words: she does not mind stepping into them, makeshift houses of sound, which the soul inhabits if only to be known at all. But the rest of his breathing absence, his lack of shape and face-- she fancies to be his most beautiful feature. Thinking herself enlightened, she must make him see she seeks him past the accidents of sight, smell and taste-- faint flowers crumbling under her sheerest touch. So it comes to her as a surprise she needs him whole, after all. Like a craving for something sour, the desire for texture seizes her one breezeless night-- and she finds herself stealing toward him with a lamp, dim and sighing. The rest we remember as a tale about gods teaching mortals a bright lesson in temperance: love, a labor of roots and sap ascending from soil to fleshy fruit, is not so much given as deserved. But in her mind what will linger is the specter of his skin, filmed and warmly gleaming with drops of fragrant oil. Beholding him laid open, at once, she understands: the love of body is the love of form. Body-- the luminous edge where the soul can begin.