Notes and flowers

Living things don't all require 

light in the same degree. Some of us

make our own light:

- from "Lamium" by Louise Gluck

This poet's obsession with flowers has single-handedly strewn your mind with blooms. Never mind the uncertainty that lives there, or the sadness that comes for occasional visits. You can count on them not to mind.

The poet has a book filled with flowers. Roses, zinnias, irises, daisies, asters, buttercups, lilies. The pages whisper pinks and lavenders, burst into yellows and oranges, spew out reds and violets, echo blues and incidental blacks. They speak of living, and pain, and sorrow, and death, and hope. So much loveliness lining the hedges, colors brightening the pathways.

But you have zero interest in gardening. Once, you planted lavender Milflores (scientific name: Hydrangea Macrophylla, the internet says) in some grassy front yard from your past. They died, all four of them. Did they know you were going away?

photo from houseonahill.net

Your shopping list has only once included "flowers" (you can picture Mrs. Dalloway shaking her elegant head in disapproval) and the ones you bought were plastic. Tulips, they were, and white. Or were they purple? You wonder.

Are there even purple tulips?

You must remember to buy a vase, next time you go out. Write that down. Now.

From this point on, the silence through which you move
is my voice pursuing you.

- Louise Gluck

"To raise the veil. 
To see what you're saying goodbye to." 
— Louise Glück

What is my heart to you
that you must break it over and over

-Louise Gluck, "Matins"-

The Pond

by Louise Gluck

Night covers the pond with its wing.
Under the ringed moon I can make out
your face swimming among minnows and the small
echoing stars. In the night air
the surface of the pond is metal.

Within, your eyes are open. They contain
a memory I recognize, as though
we had been children together. Our ponies
grazed on the hill, they were gray
with white markings. Now they graze
with the dead who wait
like children under their granite breastplates,
lucid and helpless:

The hills are far away. They rise up
blacker than childhood.
What do you think of, lying so quietly
by the water? When you look that way I want
to touch you, but do not, seeing
as in another life we were of the same blood.

(from The House on the Marshland, 1975)

I wanted to stay as I was
still as the world is never still,

-from "The Doorway"
Louise Gluck, The Wild Iris-

The great thing
is not having
a mind.

-from "The Red Poppy"
Louise Gluck, The Wild Iris-