We/ are we/ random

A conversation is an overture to many things: the next conversation, kinship, love. Cross this out. We redirect, retract, swerve--we talk about the weather. We hesitate to talk about love because we are proud, we are strong, we are practical, level-headed creatures; we would rather talk about things that matter--the stock market, the upcoming elections, your neighbor's latest acquisition, my last meal, your next.

And inside our heads, a voice, cooing a soliloquy: But my love, you are my miracle.

We snort at sentiment. It is shallow, it spells weakness. We are strong. We do not talk about love. The world will turn without love. We insist.

Abdicate, my love. Because the world is ruled by numbers. Ejected by the maths, the story of Eros and Psyche remains a myth. Yet we die a little at love's facelessness.

We do not admit this. We would rather have plotless dreams when we are asleep. Or grind our teeth.

We concatenate one chance with the next, and come up with a kaleidoscope of flukes. Where do they all go? We wonder. We wonder, and wonder, and on the surface, we are placid bodies of water. Stagnant, too, the voice. And on and on, we insist--what is dilatory must stay hidden.

Serendipity is underrated (or is it over? I can never tell) -- you are here because you filled out an application form; I am here because I had nothing better to do. We will never walk the same line; this conversation is flimsy. It will never hold. Art is for the foolish, I heard somebody say. But he who is not moved by sunsets and violins must have some serious searching to do, yes? My teacher agrees. Even Euclid had feelings, I'm sure. But where is it written?

There is a mathematical formula for everything. Yes, even love. We talk in tangents; the parallels outrun each other. We measure and throw away the excess. Love is an excess. We throw love away, we erase it. Or pretend to, at least. And then we cope by subterfuge.

"There will be time, there will be time," wrote one T.S. Eliot, and "Among the porcelain, among some talk of you and me,/ would it have been worth while,/ to have bitten off the matter with a smile,/"-- oh, hapless heart, what do you beat for? Who?

Stop that sighing, the minutes are ticking, we do not have time.

We do not talk about love. Let Apollo chase Daphne to the ends of the earth. It is a myth, as love is. Turn off that music in your head, and let's be productive, instead, so resume brainstorming, snack on these data, reconcile those figures. There is no you, there is no me.

But look, my love, you have turned into a tree.

Grace

She caught her by the wrist and said, "Your wings are bleeding."

Startled, Czarina slowed her steps down and looked beyond her right shoulder. All she saw were sunlight, some trees, the sidewalk, a lamp post, and a man, sitting on a bench, reading a book. She stopped and stood where she was, staring at her right wrist where the woman had touched her, remembering the distinct whiff of cold air that seemed to have brushed past her when she was touched. The woman. It was a woman's voice she had heard, and the words had been spoken in an unmistakably feminine way.

She felt her heartbeat start to slow down; it had accelerated to an alarming pace two, three minutes ago. She walked to a nearby bench and sat down, finding relief in the familiarity of wood. Your wings are bleeding.

She gingerly touched her right shoulder blade with her left hand and winced a little. It still felt sore, and she could picture flowers blooming on it. Some were purple, others, bright red. Rudy. He had planted the blooms on her skin; he had imprinted himself on her consciousness for always. She had cowered and cried, remembering other pains and hearing other insults, feeling them again, hearing them again.

She thought it would never end, and she was right. Bathed in daylight and so many hours removed from that evening, she knew that it was still happening. Her heart, she felt, was still breaking; her soul, bleeding. She wiped the tears on her cheeks with the back of her right hand and made a decision. She was going to look for a new place.

She stood up and started walking down the path, thinking of angels and dreaming of flight.

Here is your line.

He sank into the couch like an old friend and lit a cigarette. His pockets were full of unused scripts, obscure facts, and cryptic notes; most of them, hoarded from walls and pavements, a few, borrowed from random years, none of them useful, except when it really mattered, none of them hollow, except where the edges began. He watched the smoke float aimlessly in the space between him and the cream-painted wall, like a nameless shadow looking for a place to go, looking for a parallel to press itself against, and he wondered at these thoughts; he knew they didn't make sense.

Outside, the darkness lingered like wine in a glass.

She threw her head back, laughing at something he had said, and she felt the space between them turn into undulating rings, becoming smaller, and smaller, and smaller. And in her mind, she was thinking, will there ever be a question I can throw at you that you cannot answer?

"Probably not," he said.

"What?" She blinked, twice, wondering if she had asked the question out loud. She was sure she had not.

"Forget it," he grinned. "Are you somewhere else, again?"

"No," she shook her head. "I'm right here."

They started talking about The Beatles and as she listened to him speak, she remembered other conversations in other places, other days, another year. It occurred to her that they had both become different people, but then, afterwards, wondered if they had stayed the same, all along. She was a lost child who had insisted on clutching at the same straws, and in one way or another, she would turn to him for answers to questions, for when nights got too dark and things that were lost became irretrievable, blackened out.

She had a tendency to slip away; he was a drifter who knew his way about, and always found his way back. She was liquid; he was the breeze. She felt like he could see through her, somehow, could read between her confused billows. She constantly found herself struggling against waves and waves of untold stories, in storms both real and imagined, in self-made whirlpools, in conjured images of drowning, in nightmares of frighteningly high tides. And she would always come back up, gasping for air.

Conversations with him were balms to her many wounds, and listening to him talk, she realized that it was really she who had dreamed up the unused scripts, the obscure facts, the cryptic notes. It was really she who looked at the smoke for more than what it was. It was she whose thoughts were looking for a place to go, it was she who was looking for parallels, and she knew that these thoughts didn't make sense, at all.

Not yet.

Meanwhile, they talked about Beethoven.

Thinking life

could be contained by mere words, you throw two into the air, carelessly because you were asked too soon for, well, something someone could live a day by, and without so much as a minute to consider what it is you will hand over, and because you have to go where you will be expected to throw out more words and catch them in return; you leave not knowing that when you come back, what you had so impulsively given will not take the form you had expected it to take (because where you had gone, you had time to form a notion of forms even if it meant shaping them in between, well, words).